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Paintings

Before

During the spring of 2022, I treated a portion of a donated canvas painting at the University of Delaware. The painting was used to practice inpainting losses, as such, it had been previously consolidated so controlled losses and abrasions could be created with a scalpel.

Screenshot 2025-05-07 194809_edited.jpg
Screenshot 2025-05-07 194809_edited.jpg

During

To inpaint the painting's losses, I used Mineral Spirit Acrylic paints diluted in mineral spirits and a PVA dispersion gloss medium. First, an initial color match was laid down on the loss, then the PVA medium was added to the mixed paints and applied on top to match the gloss of the painting.

Screenshot 2025-05-07 194830_edited.jpg
Screenshot 2025-05-07 194830_edited.jpg

After

After inpainting, the portion of this painting has regained its aesthetic appearance from the controlled losses; however, the previous damages to the painting were not addressed during this treatment.

Screenshot 2025-05-07 194849_edited.jpg
Screenshot 2025-05-07 194849_edited.jpg

Before

During the spring of 2022, I treated a portion of a donated canvas painting at the University of Delaware. The painting was used to practice inpainting on dark spots, as such, it had been previously consolidated controlled dark spots were added with acrylic dispersion paints.

Screenshot 2025-05-07 200948.png
Screenshot 2025-05-07 200948.png

During

​To inpaint the painting's dark spots, I used Mineral Spirit Acrylic paints diluted in mineral spirits and a PVA dispersion gloss medium. To counteract the turbid medium effect, a warmer, lighter color was mixed with the PVA medium and applied translucently over the dark spots.

Screenshot 2025-05-07 201003.png
Screenshot 2025-05-07 201003.png

After

After treatment, this portion of the oil canvas painting regained its aesthetic appearance from the dark spots; however, any previous condition issues were not addressed during this treatment.

Screenshot 2025-05-07 201022.png
Screenshot 2025-05-07 201022.png

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© 2025 By Brooke Curwin. 

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